James Levine

United States
June 23, 1943 – March 9, 2021

James Lawrence Levine was an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976–2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies.

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สำหรับในช่วง 14 วันที่ผ่านมา:

27 แทร็ก
19 สถานี
9 ประเทศ

สถานีวิทยุที่เล่น James Levine ออนไลน์

Cavalleria rusticana: Mamma, mamma! Quel vino è generoso

Classical Radio - Placido Domingo

เพลงอันดับต้นของJames Levine

1	Macbeth: Perfidi! All'anglo Contro Me V'unite!
2	Cavalleria Rusticana: Intermezzo sinfonico
3	Cavalleria Rusticana: Act: Intermezzo sinfonico
4	Violin Concerto No. 4 in D, K. 218 - Cadenzas: Itzhak Perlman: 1. Allegro
5	Manon Lescaut: "Tra Voi Belle, Brune e Bionde"
6	La forza del destino: Me pellegrina ed orfana
7	Faust: No. 24 Sérénade: "Vous Qui Faites L'endormie"
8	Cavalleria rusticana: Mamma, mamma! Quel vino è generoso
9	Manon Lescaut, Act I: "Cortese damigella ... Donna non vidi mai"
10	Il Barbiere di Siviglia: Overture
11	Wagner Overture, The Flying Dutchman
12	Symphony No. 40 in G Minor, K. 550: 1. Molto Allegro
13	Symphony No. 41 in C, K. 551 - "Jupiter": 1. Allegro Vivace
14	The Barber of Seville, Act I: Overture
15	Violin Concerto No. 1 in B-Flat, K. 207 - Cadenzas: Itzhak Perlman: 1. Allegro moderato
16	Symphony No. 41 in C, K. 551 - "Jupiter": 2. Andante Cantabile
17	Symphony No. 41 in C, K. 551 - "Jupiter": 4. Molto allegro
18	II. Andante con moto
19	Symphony No. 40 in G Minor, K. 550: 4. Finale (Allegro Assai)
20	Symphony No. 41 in C, K. 551 - "Jupiter": 3. Menuetto (Allegretto)
21	Cavalleria Rusticana: Act: Intermezzo sinfonico
22	Aida, Act II, Scene 2: Grand March
23	Symphony No. 40 in G Minor, K. 550 : Molto Allegro
24	Violin Concerto No. 3 in G, K. 216: 3. Rondeau. Allegro - Cadenza: Itzhak Perlman
25	La Forza del Destino, Act I: Overture

คำคม James Levine

Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.